Digital
Screenrights finds CEO in the office already
James Dickinson, the new CEO of Screenrights, sketches a vision of evolutionary improvement.
Predictions - much bigger markets, content is bait, professions melt together
How do we see ourselves in the current whirl of change? In some vast anthill, owning nothing, imitated by machines…
Theory: Film peaked twenty years ago? Fact: You decide.
Over twenty years the exhibition landscape has changed enormously. Will film ever be as good again?
Review: The Beehive, at UNSW Galleries
The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that…
2019 Conference and Symposium Planner
Whether you're looking for professional development, tapping sector trends or seeking to rub shoulders with cultural entrepreneurs, ArtsHub's 2019 Conference…
To those we lost in 2018, vale
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2018.
10 buzzwords that dominated the arts in 2018
Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our…
No longer Deluxe, Alaric McAusland opts for Grace
Alaric McAusland reveals a surprising jump sideways into Josh Wakely's Grace, which he claims is a solid move into the…
Screaming Night - an instructive tale about Chinese audiences
While the cinema exhibition sector takes a dive, China's SVOD iQiyi is building a monster company with very different ideas…
Morrison plays Santa to industry - or not
The government seems to offer more money to the sector. Look again, suckers.