Digital
How the broadcasters are killing the one-off documentary
As part of his Currency House Platform Paper, Sydney documentarian Tom Zubrycki reveals some hard truths about the role of…
Australia Day Honours 2018 - from Kylie Minogue to Bevan Lee
An unusual year as the awards went pop culture, but the modest industry toilers are there too. And an actual…
ICYMI: A wrap of this week’s arts news
Powerhouse calls for Architect, residencies with Animal Logic and The Wheeler Centre, more money for regional arts announced, and more…
A toolkit to help kick-start your financial stability
Create NSW’s new toolkit for diversifying streams of income is a clear, practical resource with real examples and real outcomes…
Adelaide Film Fest gets new executive leader
The small group of artistic directors of major Australian film festivals is once again complete.
Screenrights finds CEO in the office already
James Dickinson, the new CEO of Screenrights, sketches a vision of evolutionary improvement.
Predictions - much bigger markets, content is bait, professions melt together
How do we see ourselves in the current whirl of change? In some vast anthill, owning nothing, imitated by machines…
Theory: Film peaked twenty years ago? Fact: You decide.
Over twenty years the exhibition landscape has changed enormously. Will film ever be as good again?
Review: The Beehive, at UNSW Galleries
The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that…
2019 Conference and Symposium Planner
Whether you're looking for professional development, tapping sector trends or seeking to rub shoulders with cultural entrepreneurs, ArtsHub's 2019 Conference…