Digital
Politicians missing in action on local screen activity
We compare the statements by the NSW Liberal Party, the ALP and the Greens to discover a remarkable lack of…
Disney now controls 40% of world box office, wants to squeeze exhibitors
In one historic deal, the cheerful mouse of Disney now looks like a really fat rat. But rats are great…
Minister Don Harwin outlines his arts election promises
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the…
How Netflix won Brazil
The story of Netflix in Brazil is a partial template for emerging countries, and collides with dangerous political territory.
How to succeed in artistic business - weaponise self knowledge, with your friends
Prosperity for sole trader artists is about some business knowledge pumped up with a good dose of empowerment. Enter Monica…
Scripted Ink showcasing Australian writers in the USA
Scripted Ink continues to revolutionise the way quality Australian writers and their projects find their way to the marketplace as…
AIDC 2019: learning from experience at Pitch Australiana
'We went home, tightened it, practiced and practiced and practiced, and then forgot it all when we delivered it!’ -…
AIDC 2019: John Brown hears pictures and films animals.
Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called…
AIDC keynote: Diane Weyermann's inside story on Participant Media
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
AIDC 2019: Lisa Jackson's First Nations VR expands future of docs
Backed by the might of the Canadian National Film Board's commitment to digital experiments, First Nations filmmaker Lisa Jackson tests…