Digital
Elephant stomps on traditional development practice
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…
Screenhub kicks off the Hub Club with a discount offer on Screen Forever
We are much more than a bunch of stories as members are about to find out with our new Hub…
Leading for change – who’s leading disability arts?
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it…
Queensland's woman of mystery goes to the dark side
Tracey Vieira's future after Screen Queensland is now assured as she joins the state's funkiest prodco with the mostest focus…
Crack Hollywood before you leave home - here's one approach
Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one…
Scoring a role: how do you compose music for games?
Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? We talked to Ring…
Kate Mulvany scoops the AWGIES
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
Small Screen Highlights: from the historic to the hilarious
This is a highlights reel for the ages, with offerings of rare archival footage, comforting faves and a mobile world-first.
Greater diversity in screen is good for business
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be…
Co-op mode: Aussie game devs fight for labour rights
The games unionisation movement is kicking off worldwide. So what's holding Australian game devs back?