Digital
Artists Essentials Toolkit video #1: how to get your art online
In our new video series we look at getting started with your online presence from a blog to websites to…
TV has changed, so must the way we support local content
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in…
Plucky NZ conference creates New World Order by going online
Here's the nitty gritty of running a market based conference online. Challenging, enraging and ultimately a boon, according to Doc…
Can we out-compete the world in production hunt?
Australia looks good in the international marketplace but the competition will get fiercer and fiercer. We have to urgently solve…
Seven Deadly Sins of Social Media for Artists
There are a wealth of opportunities when it comes to growing your social media accounts, but what are the absolute…
Queens Birthday Honours 2020 finds two fierce and modest film and TV veterans
Writer and director Jan Sardi, and production designer Robbie Perkins are significant in very different ways in lives well lived.
Big stock footage companies provide a handy freelance niche for cinematographers
The market for stock footage on the net is becoming a specialised niche of its own as society becomes more…
Is your digital pivot sustainable as core programming?
How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming…
See-Saw Films brings an Australian touch to the strangest Cannes Festival of all
The appearance of Ammonite at the Cannes Film Festival is just words on a piece of paper, but they cast…
Dedication, determination and self-love: one director’s journey
Gut Feeling, a multi-award-winning Australian web series, has launched the career of AFTRS alumna Hattie Archibald. She tells us how…