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Features

Playpen: branded entertainment mashes Mercedes with the ultimate tofu

Would this make you buy a Mercedes? It works in Japan, clearly for a younger audience.

Features

The Death of Film: One Lab's Story - or Who Do You Think You Are?

Last Friday, Deluxe closed its last film processing bath. To mark the end, Dominic Case has woven the story of…

Features

Death of Film: A century of post goes down the drain

Besides the raw realities of cinematography, the loss of film processsing signals the end of a wonderful industrial infrastructure. Processing…

Features

Playpen: this is just wrong

Think that 'Swan Lake' is a teeny bit bourgeois? Missing something in the muscle and tricks department? The Chinese State…

Q&A

>[sdc]< (Simon Currie)

Contemporary visual artist Simon Currie, also known as >[sdc]< is a Sydney-based painter, photographer and printmaker.

Features

MIPTV 2013: some digital moments from songs of joy to tales of directorial pain

The release of the Digital Emmy results at Cannes around MIPTV continues to emphasise how two distinct production communites are…

Features

The End of Film: much, much more than the pretty pictures

Erika Addis, who teaches cinematography at AFTRS and is wonderfully thoughtful on the medium, uses her experience of education to…

Features

Brief: SA writers finally go berserk, in their own heads, of course

The SAFC held the public launch of its Digital360Lab, some time after the first weekend of nitty-gritty stuff for its…

Features

Riverbend: the true voice of media experience

Riverbend was a young woman blogging the war in Iraq from Baghdad. Silent after her escape to Syria, she is…

Features

MIPCube 2013: goodbye TV pilots, hello online story worlds

Buzzwords abound at MIPCube, the television market’s new strand, a valiant effort to showcase technological innovations as they move into…

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