Digital
New Cameras: experts pore over latest budget range, eyes gleaming and tails wagging
I want a camera that doesn’t get in the way of getting all the shots I can see. In the…
Post Production: large new brand lands in marketplace, makes pitch for business
Once Deluxe bought companies from Omnilab, it had to integrate an impressive collection of specialist businesses, some in competition with…
Brief: Kodak hypnotises all six major studios
Kodak has announced contracts to supply Twentieth Century Fox with film stock, thus creating a matched set of all the…
Melbourne International Animation Festival 2013: two day conference embedded in the feistiness
The Melbourne International Animation Festival is fast approaching, and this year we’re excited to introduce a brand new offering for…
Computer Chess
At first glance, Andrew Bujalski’s Computer Chess seems simple, charting the unglamorous battle of man and machine.
VFX TV Workflow: realising the impossible dreams
Cinema scale VRFX, with its vision and fantastically disciplined workflow, is too complex for television, right? This is how they…
Blue Post: move to Sydney reflects slo-mo ferment in TV sector
The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post's move into…
LeWeb: Capitalists go hippy, offer Australians discount for key conference
Reed Midem, which runs the MIP conferences, has plunged into the digital world with the purchase of LeWeb, a strand…
Brief: Kodak moves to preserve role of film internationally..
In Rochester, Kodak has appointed Christian Richter to the new role of film lab and studio relationship manager. The big…
Playpen: video reveals horrible truth of campaign to make Iron Sky 2
Given that Indiegogo is doomed to grow until it becomes ferally competitive, it is not surprising that the Iron Sky…