Digital
Brief: Disney learns meaning of irony over 3D patent shambles
Disney licensed IP from the Digital Domain Media Group to build 3D versions of key films. Then DDMD went bankrupt,…
Free TV Australia: the spectrum is ours, Precious-s-s-s
Speaking at the Australian Communications and Media Authority's RadComm conference, called for "spectrum certainty for broadcasters, in recognition that Australians…
Cheeky Little Media: raising the ambient temperature of kids' animation
Behind the announcement by David Webster and Patrick Egerton that they have established a new children’s television outfit called Cheeky…
NBN: Watch the deckchair. See it glide about. This ship is called The Titanic
After so much uncertainty, Dr O'D can now get forensic on a government that is forced beyond rhetoric into the…
All Media Case Studies 3: New Zealanders choosing someone else's adventure
Reservoir Hill, made in New Zealand by David Stubbs and Thomas Rowlands, won an International Emmy in 2010. But the…
Playpen: Beanbag Mungo
Looking for the trailer to First Footprints we found a longer clip which combines the timelapse sequences. Lovely in itself,…
IPAF: surprised by the non-pirating teens
New research from the Intellectual Property Awareness Foundation has revealed that 76 percent of young people aged 12-17 have never…
Cutting Edge: Sydney expands into audio post
Cutting Edge has extended its range of services in Sydney to now include Audio Post Production, and has signalled its…
Mike Jones Course: pressurising the storyworld beyond the gatekeeper
Mike Jones erupts again in public to run a course on transmedia storyworld writing, this time through the Australian Writers'…
All-Media Case Studies 4: website for Britain from Above still an absolute corker
The Britain From Above project throbbed with national pride and swooped from space to the meanest backstreets of a hidden…