Digital
Files can’t wait: the future of the National Film and Sound Archive
The NFSA has been conducting a fence-mending exercise with stakeholders after its recent restructure drew an angry reaction.
Backlot: becoming a teeny-weeny empire
As cinemas get smaller and smaller, some commercially savvy operators are setting up a micro-network.
SBS: announces comedy runway finalists
Comedy Runway is a nation-wide initiative to assist in the development of Australia’s next generation of comedy talent.
Move over Pixar – it's our turn to animate
If it’s not Disney or Pixar, it’s not animation, right? Wrong. QUT sets us right with a new interactive exhibition.
Art is worth less in the age of Spotify – and not just financially
When the consumer can delete at the push of a button royalties are drastically reduced and artistic worth is liquified.
TV and Digital Future: PwC plays soothsayer in annual predictions
PwC, aka The Oracle, has spoken about the future of the industry. It is more of the same than we…
Art science collaborations are the new black
A decade of residencies through ANAT's Synapse scholarships has changed the way art and science collaborate.
Lorraine Eliott: death of ACMI Board President
Lorraine Elliott AM, a valuable presence in the Victorian Arts world and the President of ACMI, died last night.
Live performance revenue bigger than film and television
The best new data on Australia’s performance sector in many years shows a healthy industry with revenue close to that…
NZFC: changing role, building VOD, provoking Australian thought
The New Zealand Film Commission's Video On Demand moves are surely food for thought across the Tasman.