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Non-stop collaborations and commissions: Carriageworks is back with a brand new program for 2015

Impressive in scope, scale and ambition, Carriageworks in the heart of Sydney’s Redfern continues the consolidation and growth of its…

Features

AIDC: nimble enough for a revolution

The Australian International Documentary Conference reveals a new approach, insists it is honouring the past, and skis into the blizzard…

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China: ancillaries in a nutshell

The evolution of Chinese production continues at a ferocious pace, transforming ancillaries and confronting piracy.

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Playpen: A Rose Reborn

Park Chan-wook is a tuff Korean director, now enslaved by a mismatched suit. Has the Old Boy gone soft?

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Inclusivity Arts fundamental to a creative economy

The British Council is ideally placed to draw on the UK’s global leadership in Inclusivity arts policy and practice.

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Australia’s British Council Alumni

The British Council’s exchange programs play a vital role in developing the careers of Australian creative practitioners.

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MIPCOM 2014: tracking the Netflix monster, footprint by footprint

Tickled by a cerebral French moderator, Netflix's Ted Sarandon built a House of Hints about its global and Australian future.

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ACMI: 2014 Screen It Finalists

Living proof yet again that a generation of young people are seriously suffused with visual media..

Features

Piracy: shooting sparrows with a cannon

Sue McCreadie, serious purveyor of policy explanation, takes on the horrible task of simplifying the various positions. Hallelujah!

Features

Transmedia: from Hollywood to Bogota, a voyage of transformation

Jeff Gomez, transmedia evangelist, has taken the notion from First World entertainment to Third World activism.

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