Digital
Artists versus arts workers
Arts managers are an important part of the sector but they are kidding themselves if they think they are artists.
Why creative arts experience is valuable to business
Creative arts offers skills business wants but entrepreneurial artists need to understand the differences to make the leap.
Earning a living in 2030: turning the media experience into a lived experience
Ironically under serious threat itself, Metro is running a digital exploration of our deep future - and how we can…
Non-stop collaborations and commissions: Carriageworks is back with a brand new program for 2015
Impressive in scope, scale and ambition, Carriageworks in the heart of Sydney’s Redfern continues the consolidation and growth of its…
AIDC: nimble enough for a revolution
The Australian International Documentary Conference reveals a new approach, insists it is honouring the past, and skis into the blizzard…
China: ancillaries in a nutshell
The evolution of Chinese production continues at a ferocious pace, transforming ancillaries and confronting piracy.
Playpen: A Rose Reborn
Park Chan-wook is a tuff Korean director, now enslaved by a mismatched suit. Has the Old Boy gone soft?
Inclusivity Arts fundamental to a creative economy
The British Council is ideally placed to draw on the UK’s global leadership in Inclusivity arts policy and practice.
Australia’s British Council Alumni
The British Council’s exchange programs play a vital role in developing the careers of Australian creative practitioners.
MIPCOM 2014: tracking the Netflix monster, footprint by footprint
Tickled by a cerebral French moderator, Netflix's Ted Sarandon built a House of Hints about its global and Australian future.