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Features

SPA 2014: When Did ‘New Media’ Become So Antiquated?

Digital content is about building parallel universes - but do any of them have a cash economy? The jury is…

Features

A degree helps for jobs in TV and film – eventually

Do you need a degree in media if you want to work in the film or television industries?

Opinions & Analysis

Artists versus arts workers

Arts managers are an important part of the sector but they are kidding themselves if they think they are artists.

Opinions & Analysis

Why creative arts experience is valuable to business

Creative arts offers skills business wants but entrepreneurial artists need to understand the differences to make the leap.

Features

Earning a living in 2030: turning the media experience into a lived experience

Ironically under serious threat itself, Metro is running a digital exploration of our deep future - and how we can…

Sponsored Content

Non-stop collaborations and commissions: Carriageworks is back with a brand new program for 2015

Impressive in scope, scale and ambition, Carriageworks in the heart of Sydney’s Redfern continues the consolidation and growth of its…

Features

AIDC: nimble enough for a revolution

The Australian International Documentary Conference reveals a new approach, insists it is honouring the past, and skis into the blizzard…

Features

China: ancillaries in a nutshell

The evolution of Chinese production continues at a ferocious pace, transforming ancillaries and confronting piracy.

News

Playpen: A Rose Reborn

Park Chan-wook is a tuff Korean director, now enslaved by a mismatched suit. Has the Old Boy gone soft?

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Inclusivity Arts fundamental to a creative economy

The British Council is ideally placed to draw on the UK’s global leadership in Inclusivity arts policy and practice.

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