Digital
One less sane person: Jenny Woods retires from Film Finances
An icon of the industry, completion guarantor Jenny Woods has made a bid for freedom and life on her own…
Screen Australia crows about 25 years of Indigenous support
It's rare to celebrate a policy or a department, but in the case of Screen Australia's Indigenous Department, everyone wants…
What's on Screen: The Flip Side is an Australian rom-com. Can it cut through?
Australian rom-com The Flip Side gets a go in wide release, as Neighbours provides a cultural milestone and some great…
Screen Australia: producers turn on loopholes and strange anomalies
Replying to producers' letter, Screen Australia defends funding BBC Studios. Is this as odd as it seems?
Real-to-reel: bringing contemporary craft to the big screen
Craft is a global movement – it’s a human movement – and a new Festival of short film leverages our…
On the move: the latest appointments and resignations
QUT nabs US media scholar, Next Wave gets new Director/CEO, Lifetime Patrons for MTC, New Chair at La Mama, and…
Los Angeles mentorships open again
Supported by Australians in Film, four mentorships offer the chance to connect closely to Hollywood and fit the experience in…
SPA nominates its favourite feature production companies and projects for 2018
The Screen Producers Australia Awards focus on the most mysterious category of all - the behaviour of producers. What does…
Netflix – eight clues to rule the world
Netflix is drawing the local screen sector into its web. Here's some field notes on the evolving engagement.
Paying for Premium Drama - the new landscape of Australian television production
Streaming and subscription services are rapidly colonizing the space where premium Australian drama gets made and watched. A quick run-down…