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Last King Of The Cross – Season 2. Image: Daniel Asher Smith/ Paramount+.

Last King of The Cross – Season 2 trailer

Watch the trailer for Season 2 of Last King of The Cross, streaming later this month on Paramount+.

Shaun Micallef’s Eve of Destruction. Image: ABC.
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Shaun Micallef’s Eve of Destruction, ABC review: more like this please

Micallef is back, bringing plenty of laughs in a pared-down format that suits him, his guests and the ABC.

Ray Martin: The Last Goodbye. Image: BBC Studios/ SBS.
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Ray Martin, The Last Goodbye, SBS review: death becomes us

A lively new Australian series moves through both the mechanical and the cultural side of what happens after death.

The Blind Sea. Image: Bonsai Films.
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The Blind Sea review: surfing waves without sight

Tackling the waters of Portugal's notorious Nazaré is daunting enough, but with next to no vision? Australian athlete Matt Formston…

Vince Vaughn and Natalie Martinez in Bad Monkey. Image: Apple TV+.
Features

New shows streaming this week on Netflix, Stan, BritBox, ABC iview, AMC+, SBS, Prime and more

Your guide to the best new shows and films to stream from 12 to 18 August 2024 on the major…

Chorus Girls. Image: Tine Harden/ SBS.
Features

SBS On Demand: new shows streaming this week

Your guide to the best new shows to stream from 12 to 18 August 2024 on SBS On Demand.

​Shaun Micallef's Eve of Destruction. Image: ABC.
Features

ABC iview: new shows streaming this week

Your guide to the best new shows to stream from 12 to 18 August 2024 on ABC iview.

Critical Incident. Image: Stan.
Features

Stan: new shows streaming this week

Your guide to the best new shows to stream from 12 to 18 August 2024 on Stan.

Jerry Lewis: The Man Behind the Clown. Image: DocPlay.
Features

DocPlay: new films streaming this week

Your guide to the best documentaries to stream from 12 to 18 August 2024 on DocPlay.

Inside. Image: MIFF.
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Inside, MIFF film review: an Australian prison movie poised on perfection

Vincent Miller holds his own alongside Guy Pearce and Cosmo Jarvis in Charles Williams' incendiary feature debut.

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