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Film: Judy & Punch is impish, anarchic and distinctive
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
TV: Fat Pizza is Back in Business
You’ve got to be doing something right to keep a comedy series going on Australian television for almost 20 years.
Big Screen Highlights - Promised, Emu Runner, Finke and Happy Sad Man
Very different visions of Australia pile onto our screens, though you may have to search to find them. Plus festivals…
Piloting a Program for Change: Women in Film & Television (WIFT) Australia
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne…
Rose d'Or finds Australians at both ends of the spectrum
Rose d'Or Awards hopes are up, fired by very hot vegetable.
Garth Davis in joint venture with See-Saw called I AM THAT
With Samantha Lang as head of development, Garth Davis and See-Saw are formally joined at the business hip.
How much SVOD content is Australian? Here are the facts
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content.…
Collecting the history of video games
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
Box Office: Little Monsters, Ride Like a Girl and Promised
Parasite has sucked the arthouse world dry and hasn't finished. Ride Like a Girl is still out in a mad…
Just Hit Send: Christian White's top tips for authors and screenwriters
The bestselling novelist and screenwriter of 'Clickbait', Netflix's first Melbourne project, talks story structure, terrible first drafts and the myth…