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Artists Essentials Toolkit video #1: how to get your art online
In our new video series we look at getting started with your online presence from a blog to websites to…
TV has changed, so must the way we support local content
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in…
Ask the mentor: should I worry about lack of formal training?
Media Mentor Esther Coleman-Hawkins answers your career questions with brisk no-nonsense advice for screen professionals.
Defiance, progress and big ideas celebrated in international kids' TV awards
Australians are used to doing well at prime kids' TV moment the international Prix Jeunesse Awards. But this is the…
Plucky NZ conference creates New World Order by going online
Here's the nitty gritty of running a market based conference online. Challenging, enraging and ultimately a boon, according to Doc…
What We're Watching: June
From record shops in Brooklyn to the court of a Russian Czar, to a dystopian carceral future, the office’s favourite…
Women on Top: Sydney Film Festival Highlights
It's possible to view the best of this pared-down program and not see a single film by a man. Critic…
TV Review: Maralinga Tjarutja paints a full picture
Nuclear tests were just part of a longer story, as told by Larissa Behrendt's excellent documentary made as a condition…
$1 million in relief funding from Netflix and Support Act
Created with Support Act, the fund will provide $1000 one-time benefits to below-the-line Australian screen talent affected by COVID-19
SFF's online Screenability program highlights sustainable accessibility
SFF's revised virtual program contains festival favourite, the screenability stream. What does accessibility for disabled artists look like in the…