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What We're Watching: Apocalypse in July

The second lockdown may have dampened the spirits of our Melbourne office, but it has had quite the opposite effect…

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Smart thinking and great home viewing as live audiences evaporate

A small documentary festival in Castlemaine, pioneers in WA Rev it up, and six strangers on Zoom across Australia launch…

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Anna Kaplan: You have to live and breathe your message

Greening Australia's screen industry is the goal for our best-known Impact Producer, the most recent recipient of the Natalie Miller…

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Film industry heavyweights pen open letter to 'Mukbang' critics

'Something is dangerously askew in the way that we are talking about race in the arts in this country, and…

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Global screen industry grinds back into gear

Big gestures are being made around the world to get the studios humming but what how is the rest of…

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TV Review: Retrograde is a lockdown sitcom where friendship is key

Making use of the grammar of lockdown-filmed-at-home comedy, this ABC ensemble show feels funny and familiar, writes Anthony Morris.

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Moving incredibly fast, it's Family Rules for Karla Hart

An interview with the Perth-based creator, producer and director of NITV's gorgeous documentary series 'Family Rules', now in its third…

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Film Review: 'Relic' is an assured cinematic exercise in dread

Natalie Erika James' directorial debut will resonate with anyone who’s witnessed human frailty at confrontingly close quarters.

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Banijay buys Shine Endemol, shifts international balance of power

Banijay, once the cuddly friend of Screentime Australia, has absorbed Shine Endemol to emerge as a modern version of King…

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Veronica Fury resurrects Peter Brock for broad Australian audience

In Australia, making a film about a true blue motor racing hero will inevitably become an obsession. As Veronica Fury…

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