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Box Office: Australian share of market now at 20%

The Dry and Penguin Bloom have now turned into a Demon Duo, turning heads in the multiplex foyers to local…

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Screen Forever program now available, and it is lean and clever

Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020…

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Documentary Conference CEO to leave after AIDC 2021

After four years of taking risks and trusting her instincts backed by passionate documentary makers and a determined staff, Alice…

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Film Review: Dawn Raid - Southside and the Polynesian Sound

Documenting the rise of the legendary Polynesian record label in 90s' and 00's Aotearoa/NZ against a backdrop of racism, this…

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Making games for a dying planet

What can videogames contribute to the climate conversation?

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AIDC pitching list points to new visions for 2021

The AIDC's main pitching competition showcases Asian and South American projects which shift the North-South dialogue in global documentary.

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Film Review: Penguin Bloom plays it by the book

Naomi Watts is compelling in a story of resilience that sticks closely to the true account and to the formula…

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Music is in danger of being taken for granted - screen composer Amanda Brown

The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing…

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Start making games with these code-free tools

Don't let a lack of programming know-how hold you back from developing videogames.

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Box Office: Eric Bana is an Australian hero

The drily titled The Dry is doing remarkable business which could well be leg one of a trifecta.

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