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APSA script development: ten years of stirring the pot
Successful – yes. Best in class – depends on your criteria. But the program is ambitious, covers a huge range…
Box Office: Australian horror experts dominate the multiplexes
Both ends of Australian culture are represented in cinema at the same time. You can choose between David Gulpilil and…
The Power of Visibility: beating the mid-career blahs
Even introverts can shine in their own ways. Challenge your fears and put yourself out there with these ideas from…
2021 Australian Game Developer Awards nominations open
The Australian videogame industry's night of nights will soon be upon us, and submissions are being invited.
SPA and MEAA release revised Safety Guidelines for sector
In a small but monumental moment, the screen sector has released its 21st century approach to health and safety. It…
Netflix snooty at Cannes and our sector clobbered
Netflix has managed to dump both Jane Campion and Andrew Dominik out in the cold as everyone else focuses on…
Game Review: On Nier Replicant ver.1.22474487139...and second chances
Nier Replicant ver.1.22474487139… sees an overlooked cult game taking advantage of a rare second lease on life.
Brisbane developers Prideful Sloth announce next game ‘Grow: Song of the Evertree'
The Australian studio behind the well-received Yonder: The Cloud Catcher Chronicles has announced their next game in partnership with international…
News in Brief: Advice from Sue Maslin, Kurzel at Cannes, and the ALP goes to bat for the arts
This week in the news, the sector reels from the one-two punch of a botched media reform policy process, and…
TV Review: Ms Fisher's Modern Murder Mysteries S2 is groovy
The latest Ms Fisher franchise is crafted with care and style to spare. It's got a 60s sleuth you want…