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Open your aperture @ BBFF2013 panels and workshops

BBFF has established itself as a vibrant forum for Australian and international filmmakers to share their unique insights into familiar…

Features

AIDC 2013: David Lyle escorts Granny Geo into a naughty unscripted future

David Lyle probably knows more about unscripted television than any other Australian. How does he see this bastard child of…

Features

Convergence Review: Screen Producers have a major impact

As rumours abound that the new media regulations are currently being considered by Federal cabinet, Dr Vincent O'Donnell looks at…

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Matchbox Pictures: My Place sold to Al Jazeera

Matchbox Pictures kids' series My Place (13 x 24) has been sold to Al Jazeera Children’s Channel. The deal was…

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Learn new Film & TV Skills @ AFTRS OPEN & Boost your Career!

We have some great value data management courses coming up: Data Wrangling On Set: File Based Cameras for DOP’s and…

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AIDC 2013: Ruth Harley lauds Australian documentary

If a documentary represents a kind of picture of the world at a particular time and place, then CEO of…

Features

AIDC 2013: and the opposite of branded entertainment is...

In accepting the Stanley Hawes Award on behalf of the Documentary Australia Foundation, Ian Darling lays out a beautiful world…

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Joel Creasey – The Acid Tongue Prince

Perth-born stand-up Creasey is at his sharpest when poking fun at social stereotypes, including gay clichés prevalent within contemporary culture.

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Who Cares

Mara Mourão’s socially conscious documentary focuses on a range of activists whose words and deeds are inspiring real and measurable…

Features

Screenwriters' Conference 2013: What's love got to do with it

Rom-coms are box office gold but terribly difficult to write. Romantic love is a mainstay of soapies, while thwarted desire…

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