Teaching film, working in a completely different culture

Melanie Sandford has been teaching editing in Myanmar for ten years. The results are in the Toronto International Film Festival.
[This is archived content and may not display in the originally intended format.]

Image: beginners course at the Yangon Film School. 

First world documentary filmmakers who travel outside their bubbles of comparative prosperity can discover colleagues who work under desperate conditions, in the shadows of dictatorship, building independent media from the ground up. 

It can be a moving experience, which illustrates a commitment to democracy we take for granted. One of the places where alliances have been successfully created is ​Myanmar, where English-born Lindsay Merrisen helped to set up the Yangon Film School in 2005 with support from Germany, where it is officially based. Fortunately, the regime didn’t really notice the school, so it worked largely undisturbed under the radar, finessing fiddly problems with permits and local corruption.

Unlock Padlock Icon

Unlock this content?

Access this content and more

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.