Fighting back against the populist documentary

The quiet, serious craft documentary is facing a harder sell as a few populist features dominate cinema audiences.
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Image: The Look of Silence  

For the modern documentary maker, the impressive success of a few recent films in the Australian box office is a double-edged sword.

That Sugar Film took $1.7m. Presenter-led by director Damon Gameau, it touched the Zeitgeist about our diet, was unashamedly entertaining, and was backed by Madman. Senna, about the racing driver who transcended his playboy upbringing and was killed on the track, took $1.45m on the way to serious financial success around the world. Searching for Sugar Man, a music film and a mystery story, harvested $940,000 for its exhibitors. Amy, about the tragic story of Amy Winehouse, has taken $744,000 in less than a month.  Walking the Camino – Six Ways to Santiago, has taken six weeks to reach $453,000.  Women He’s Undressed has taken $108,000 in its first week.

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.