Telemovies: Speed, Ease and a built in Audience

Telemovies may not have swanky red carpets and overseas premieres, but they do have a lot of practical advantages for working creatives. This was made very evident to producers Kylie du Fresne and Sue
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Telemovies may not have swanky red carpets and overseas premieres, but they do have a lot of practical advantages for working creatives. This was made very evident to producers Kylie du Fresne and Sue Taylor as they made An Accidental Soldier for the ABC.

While feature films can easily take between five and twenty years to bring into production, An Accidental Soldier went from commissioning to broadcast in less than a year. For that reason alone, they are a joy to create. What is more, a solid but unremarkable rating like 800,000 (which is about what the Sunday night ABC 8.30 timeslot has been rating with The Time of Our Lives), would earn $12m if those people were at the cinema. We think of that as a huge success in the current market. The comparison is crude, but worth some thought.

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.