Toronto: reviews for Australian films emphasise arthouse appeal

The Railway Man has left key industry reviewers with pursed lips, though the papers generally concede it got a standing ovation and some weeping at its debut on Friday night. The more modest Canopy is
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The Railway Man has left key industry reviewers with pursed lips, though the papers generally concede it got a standing ovation and some weeping at its debut on Friday night. The more modest Canopy is travelling on a wave of affection.

We figure the English revieweres would get The Railway Man, since it is ultimately their story. And Catherine Shoard who penned The Guardian’s first review is warm..

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.