Matchbox: on ob-docs, Australian accents, and the temptation to make mean television

Format TV can get very, very nasty. When an uplifting outfit like Matchbox takes the low road to mass entertainment, it must strive to do a much nicer version of Real Housewives... than our kissin' co
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Format TV can get very, very nasty. When an uplifting outfit like Matchbox takes the low road to mass entertainment, it must strive to do a much nicer version of Real Housewives… than our kissin’ cousins across the Pacific. We give Kylie Washington, the company’s Director of Unscripted Content a chance to reflect.

When you think of Matchbox, the Australian production company formed in 2008 by Tony Ayres, Penny Chapman, Helen Bowden, Michael McMahon and Helen Panckhurst, the titles that come to mind are ‘quality’ ABC television dramas like The Slap, The Straits and My Place, and feature films like The Home Song Stories, Lou and Underground. What doesn’t immediately come to mind is reality television.

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.