Blue Post: move to Sydney reflects slo-mo ferment in TV sector

The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post's move into the Sydney market is a case study in accident, chutzpah and customer lo
[This is archived content and may not display in the originally intended format.]

The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post’s move into the Sydney market is a case study in accident, chutzpah and customer loyalty, all driven by the impact of digital production.

Blue Post specialises in long form film and television post production, with a particular headlock on television. Managing director and co-owner Peter Millington figures, with all due respect, that his company is probably one of the two major players in television drama.

Unlock Padlock Icon

Unlock this content?

Access this content and more

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.