StarsStarsStarsStarsStars

You Will Meet a Tall Dark Stranger

Woody Allen’s 42nd feature film as director feels forced and flat, which perhaps explains why it's taken three years to gain a local release.
[This is archived content and may not display in the originally intended format.]

Just months after his last feature, To Rome with Love, graced Australian cinemas, Woody Allen returns with another European jaunt, but the short spell between releases is not the result of the prolific writer/director’s work ethic; it’s been three years since Allen’s You Will Meet a Tall Dark Stranger debuted at the 2010 Cannes Film Festival.

 

While the film may owe its local airing to the latest wave of affection for the American writer/director – fuelled by Midnight in Paris’ lingering charms; Woody Allen: A Documentary’s overarching insights; and Paris-Manhattan’s frothy homage – You Will Meet a Tall Dark Stranger does little to cultivate goodwill of its own. The fourth of Allen’s features set in London (after 2005’s Match Point, 2006’s Scoop and 2007’s Cassandra’s Dream) and his 42nd feature film as director, it insipidly adheres to the auteur’s standard recipe: assemble an ensemble cast, immerse them in cultivated quirkiness, and let simmer until everything turns to farce.

 

Recent divorcees Alfie (Anthony Hopkins, Hitchcock) and Helena (Gemma Jones, Hysteria) provide the catalyst for the craziness that ensues, their parting starting a chain reaction of events. Attempting to reclaim his youth, Alfie pursues a younger woman (Lucy Punch, Bad Teacher); adrift without her spouse of four decades, Helena seeks solace from a psychic (Pauline Collins, Quartet). Their daughter Sally (Naomi Watts, The Impossible) and her struggling writer husband Roy (Josh Brolin, Gangster Squad), laden with marital woes of their own, become caught up in the ensuing tumult.

 

All of the expected elements furnish You Will Meet a Tall Dark Stranger, from the acerbic dialogue, to the leisurely pace, to the eclectic use of music and narration. The comedy of errors that evolves is typical of Allen’s work, and the concentric circles of personal and professional disharmony are another of his staples. And yet, the film feels forced and flat, courtesy of an average script and uninspired direction. Missing in this paint-by-numbers effort is the director’s warmth, wit, and winning way of making the ridiculousness of ordinary relationships amusing yet relatable.

 

His cast make the most of the material, some succeeding more than others. Hopkins relishes his character’s new lease on life, and Jones is suitably skittish as a woman clinging to faith as the last remnant of normality; alas, Watts and Brolin are wasted in one-note roles, as are their respective dalliances with Antonio Banderas (Ruby Sparks) and Freida Pinto (Trishna). For much of the feature, each is left to explain the plot, rather than add weight to their predicament. The eventual resolution of their efforts proves as hollow as it is awkward; so too, does the passable but pedestrian film.

 

Rating: 2 ½ stars out of 5

         

You Will Meet a Tall Dark Stranger

Director: Woody Allen

USA, 2010, 98 min

 

In cinemas January 17

Distributor: Umbrella

Rated M


StarsStarsStarsStarsStars

0 out of 5 stars

Actors:

Director:

Format:

Country:

Release:

Sarah Ward
About the Author
Sarah Ward is a freelance film critic, arts and culture writer, and film festival organiser. She is the Australia-based critic for Screen International, a film reviewer and writer for ArtsHub, the weekend editor and a senior writer for Concrete Playground, a writer for the Goethe-Institut Australien’s Kino in Oz, and a contributor to SBS, SBS Movies and Flicks Australia. Her work has been published by the Australian Centre for the Moving Image, Junkee, FilmInk, Birth.Movies.Death, Lumina, Senses of Cinema, Broadsheet, Televised Revolution, Metro Magazine, Screen Education and the World Film Locations book series. She is also the editor of Trespass Magazine, a film and TV critic for ABC radio Brisbane, Gold Coast and Sunshine Coast, and has worked with the Brisbane International Film Festival, Queensland Film Festival, Sydney Underground Film Festival and Melbourne International Film Festival. Follow her on Twitter: @swardplay